A Vimeo Sandpit Tale

I wanted to post a simple comment on this video:

YouTube – The Sandpit (Vimeo)

That video is on YouTube. The original video link that I followed was for Vimeo. The Sandpit is a cool little short film that won awards a decade ago. Like most things on the internet, access to the data about the film gets spotty after a few years and the link in the information bar under the video points to a now-defunct blog. I wanted to let everyone know that the content was preserved on the Wayback Machine.

It is shot on a Nikon D3 (and one shot on a D80), as a series of stills. I used my Tamron 17-50mm f/2.8 and Sigma 50-150mm f/2.8 lenses for all of these shots. Most were shot at 4fps in DX crop mode, which is the fastest the D3 could continuously write out to the memory card. The boats had slower frame rates, and the night shots used exposures up to two seconds each. The camera actually has an automatic cut off after 130 shots, so for longer shots I counted each click and quickly released and re-pressed the shutter release after 130 to keep shooting.

I did some initial tests a while back using a rented 24mm tilt-shift lens, which is the standard way to do this. However, after my tests, I found it made much more sense to do this effect in post, rather than in camera. Shooting tilt-shift requires a tripod, as it is very hard to stabilise afterwards, and gives less flexibility in the final look. I opted to shoot it on normal lenses, which allowed me options in the depth of field and shot movement in post. I used a tripod for the night shots, and my Gorillapod (which is much more portable) where possible, but many locations—like hanging over the edge of a roof or through a gap in fencing on a bridge– had to be shot hand held, and the inevitable wobble removed afterwards.

archive.org/aerofilm

I successfully linked the interview location on YouTube because I have access to my YouTube account, it’s linked to my Google account. I could not get logged into my Vimeo account. I spent several hours that night going through my old passwords, updating some, deleting the ones for dead websites that I ran across, but I never did managed to get logged on to Vimeo. The best I could do was find some cryptic-assed note about the account being blocked.

So I wrote them a note.

The unhelpful warning about needing to log in before contacting you is kind of pointless. I can’t log in because the email address that I use is flagged as having violated some rule or other. I can’t imagine what rule that could be since I’ve never uploaded a damn thing to Vimeo in my life. I’d really like to know why my email address has been blocked from having an account on Vimeo. It’s been my address since there was a Gmail to have addresses at. Please. Enlighten me.

A few days later, they responded.

Unfortunately, your account fits within our spam categorization and isn’t permitted on Vimeo.

We wish you the best of luck in finding a hosting platform better suited to your needs.

I’ve heard fuck you said better before, even with more words involved in the directive. This sounds like a challenge that I’m up for.

This sort of response is exactly the kind of throw-down that gets lawsuits started. You did not answer my question. I have never posted anything to Vimeo, so how can my email address be associated with spam? To make those kinds of accusations you have to have proof and I’d really like to see the proof that you are making your judgements on. This should be an easy question to answer considering you can high-handedly declare that I don’t fit on the Vimeo platform. Prove this assertion.

They, of course, did not answer the question a second time.

Your account has been suspended because our system has detected some unusual characteristics.
 
For security purposes we cannot discuss the details of our security measures. Additionally, when accounts are suspended for these reasons we are unable to reconsider the status of the account.
 
From our Terms of Service: “Vimeo may suspend, disable, or delete your account (or any part thereof) or block or remove any content you submitted if Vimeo determines that you have violated any provision of this Agreement or that your conduct or content would tend to damage Vimeo’s reputation and goodwill. If Vimeo deletes your account for the foregoing reasons, you may not re-register for the Vimeo Service. Vimeo may block your email address and Internet protocol address to prevent further registration.”
 
Please refrain from opening any additional accounts as these may be terminated without notice. As this is our final decision, we will be unable to respond to additional messages about this matter.
 
We apologize for any inconvenience and we wish you the best of luck in finding a hosting platform better suited to your needs.

Ouija Boards. That must be what they are using. It certainly can’t be my own history on Vimeo. I created the account and linked to a couple of videos on the blog. I might have written a comment or two. Maybe. I don’t know because I can’t see my own history on Vimeo, a thing that pisses me off more than wasting several hours trying to log into the website in the first place.

If I’ve burned a bridge like the one they claim I burned, I should have a memory of that scorching somewhere to recon with. There is no memory, so this has to be some bullshit on their part. I simply can’t prove it.

For all you know I have a thousand different accounts already, all posting whatever the fuck I feel like. You can’t tell and that probably scares the crap out of you and your lawyers. All I want is the ban to be lifted for this email address, a ban placed for no good reason that even you are willing to defend. If I had money (and if Vimeo wasn’t a third-rate YouTube wannabe) I’d already be talking to an attorney about fixing this problem and then you’d have to tell me what it was that you so mysteriously can’t tell me right now without an attorney at my side. As it stands, all I can say is “Sell to Google while you still can.” That would be the smart move.

Postscript

I can no more say why they reinstated my account on Vimeo than I can say why they blocked my account on Vimeo. In any case, my account has been reinstated even if I can’t make a comment on the video in question still. No idea why that is, I’m not even the only person to add a comment within the last year. When I try to add the comment that YouTube gave not one shit about, Vimeo logs me out and forces me to change my password again.

In reviewing my history on Vimeo I was unable to find anything that I might have done on Vimeo that could have gotten the account blocked. Anything at all that I’d done ever aside from follow some accounts. Now this means that either they deleted my account’s history because it got hacked, or I’ve actually never done anything. Either of those cases could be true. I don’t care which one is true, I just wanted to make sure it wasn’t an old password that I left lying around that was causing the problem. It was definitely not worth the time investment from that perspective. Qualitative fuckoff superiority satisfaction, though? Very high.

The Dark Side of the Moon

This entry on the blog exists to make a single statement. There are no tracks on Pink Floyd’s 1973 album Dark Side of the Moon. The track list is a lie, a fiction created by marketers who insisted that there had to be segments and names for all the parts of the life that is lived on the first side of the album that begins with birth and ends with death. Just as these same corporate shills insisted on there being labels for all the width of the lived life that is on the second side of the album, solid transactionalism to total madness.

Unfortunately there are few places where you can hear the album without track breaks, a fact that is quite maddening of itself for those of us who understand that the two sides of the album are intended to be listened to by starting the needle in the groove at the beginning of the first side of the album, listening to the end of that side, and then turning the record over to listen to the other side. A cassette tape works similarly, this is the thing that I always loved about my cassette tapes.

Fortunately Vimeo does have a place where you can listen to full albums without track breaks. Fooled me. I listened, and it’s just another rip of the same CD I own, and a poorly mastered rip at that.

Honestly? I’m still looking into the whole gapless thing. Supposedly it works on Spotify if you pay for Spotify. I don’t pay for Spotify. I do pay for Amazon music and it doesn’t do gapless while streaming. Windows media plays my CD rips of Dark Side of the Moon gapless, and yet Videolan puts gaps in between the exact same ripped files. Amazon will play the CD rips gapless, but not the stream. Go figure. I have toyed with making Dark Side of the Moon and other albums that should be experienced as an album into one long file so as to avoid having to deal with track breaks where no track breaks should be to get past this variability in players and playback, but then I don’t have tracks to start and stop on when inevitably someone interrupts my personal music concert.

That was supposed to be my gift to all of you today. A gapless playback of Dark Side of the Moon. I was awake for a solid thirty hours yesterday. I woke early this morning after a solid twelve hours of sleep. Twelve hours of running, hiding, yelling, screaming, whispering and pleading. All those dreams and other forgotten dreams. A lifetime of dreams as the thirty hours before that had been a lifetime of experiences. I awoke with the words of Brain Damage running through my mind (even though I remembered it as Eclipse before looking at the track list) and I knew what I had to listen to while preparing breakfast and getting ready for a nice morning stroll with the dog.

The lunatics are in my hall
The paper holds their folded faces to the floor
And every day the paper boy brings more

Dark Side of the Moon it is, then.

There is no dark side of the moon, really. As a matter of fact it is all dark.

Pink Floyd
Professor of Rock – Alan Parsons Story of Pink Floyd Album The Dark Side Of The Moon August 4, 2020

(Clare Torry does sing/say one line in Great Gig in the Sky. You have to listen very carefully to hear it)

Postscript

I can confirm that Spotify does play back gaplessly. This whole experience with trying to listen to Dark Side of the Moon the way it was produced inspired me to quit paying Amazon and to start paying Spotify.

…Just in time for me to wish that I wasn’t paying for Spotify. They gave Joe Rogan a hundred million bucks to be exclusively on their platform. I never have liked Joe Rogan, he’s good friends with Alex Jones and that is a large red warning flag in my book.

Seriously Spotify. You are a music service, not a podcast service. Stick to what you are good at.