…even the provocative director of the X-rated film Fritz the Cat, Ralph Bakshi, managed to keep it in his pants. His ambitious yet incomplete 1978 animated Lord of the Rings stays in the right lane, true to its high fantasy trope, even though the film is wildly psychedelic in its visual flair. Such a great contrast to his other fantasies Wizards and Fire & Ice which was R-rated Adult Swim fare decades before Adult Swim existed! Instinctively and thoughtfully, Bakshi knew that Tolkien’s story didn’t need all the Tits & Ass that had previously made the animator the darling of 70’s arthouse cinema. He kept that out of Middle-earth, indulging it elsewhere more suitably for his other films.theonering.net
I am commenting on the content of the live stream and the quoted article above, so some of this will probably seem to be a little disconnected. But, here goes.
15:45 minutes. The #TORnTuesday hosts discuss Arwen being present at Helm’s Deep in the movie version of LotR, and how theonering.net and it’s fanbase stopped those scenes from being in the final cut. Arwen being at Helm’s Deep would have been perfectly acceptable to me if a) she was dispatched as the leader of the group from her grandmother and b) women were equally welcome in the fighting troops with men and so her presence was unremarkable. This would have required a major rewrite and a re-explaining of why the plot evolves the way it does. Specifically? Eowen showing up at the battle in front of Minas Tirith and everyone being surprised, especially the Witch King (the subtleties of ingrained systemic misogyny are hard to parse sometimes) If women were commonplace things in battle, why wouldn’t anyone have thought about Eowen being in the battle of the Pelennor Fields? I mean, Arwen glowed with the light of the two trees in the first film, she can do just about anything else in the story after that. Considering what else was done in the Two Towers that varies from the book, Arwen being at Helm’s Deep makes complete sense to me. I would love to see those scenes, that version of the film, right next to the final version. I mean, why not? Other than, of course, that wasn’t how J.R.R. Tolkien wrote the scene. It would have been nice to see the Helm’s Deep battle filmed as it was written. I’ll take the parts of it that I did get, I guess.
56:00 minutes. There is the description of the John Boorman scene of the fellowship coming upon the waters of Galadriel. I cannot describe precisely how overjoyed I am that Ralph Bakshi got to do his version of Lord of the Rings rather than John Boorman, who went on to make Excalibur instead. A great movie, but definitely not high fantasy.
Anyone who thinks LoTR, or this Unnamed Amazon Production (UAP) needs more sexing up doesn’t understand what Tolkien was trying to say with his work. Explicit sex scenes shouldn’t be part of Tolkien’s work simply because Tolkien wouldn’t have dwelt on the prurient in that fashion. It is contrary to his vision of what high fantasy was and is.
It’s like telling me that Star Fleet has been subverted is a plotline of a film (Into Darkness) when Gene Roddenberry specifically forbade that storyline in the Trek writers guide. You, the modern interpreter, can certainly go there. Once you do, the film cannot be part of the canon for that created universe. If you insist on including contrary things like storylines that aren’t in the text or scenes that are contrary to the sense of the work, you risk destroying the social groupings that form in fandom around the platform that the work represents because the work no longer presents a uniform vision of itself.
Ask Paramount how much they like their new Trek that the Abramanator created for them. Sure, that first movie made money. Forget ever making money with the universe after that point.
Elf sex may not be the one thing that breaks the Tolkien fandom groups, especially since slash fiction is what most people create in their own heads (apparently) but if they are going there in the series, it won’t take Amazon long to completely abandon the rest of the lore that Middle Earth is supposedly based on, in the name of drawing more viewers to the show.
Here’s a thought. Why not create a new thing and get people to watch that, rather than pretend that the new thing is somehow related to something you feel nostalgia for? Nostalgia is overrated.
I have little interest in watching what Amazon does to Tolkien’s second age elves; even if Jeff Bezos does embroider the life of Galadriel, a strong female lead character, so lacking in Tolkien’s work. I am loathe to sound off about entertainment that I do not want to feel obliged to watch. If I sound off on the subject, and they cite my words as some motivation for changing their work, I would feel obliged to spend quality time evaluating the resulting product.
I have little trust left for the corporate creators of entertainment. I am way beyond reticent when it comes to promising my time in this fashion. I’ve written off many of my most treasured memories of youth at this point in my life, as well as abandoned new infatuations when they betrayed what they supposedly were about in the beginning. I’ve written them all off because some corporate stooge somewhere wanted to make a few more bucks off of my nostalgia one more time.
So I am prepared to pretend that Amazon’s elf stories don’t exist just like I pretend that other entertainment that doesn’t entertain me doesn’t exist, before I’ve seen one second of the work as it is intended to be seen. It is my feelings being used to motivate me here. The only way that I can stop them from being used to manipulate me is to compartmentalize those feelings and lock them away where they can’t be abused by the unscrupulous. It is up to Amazon to produce some work or other that motivates me to watch it based on it’s own merits. Gratuitos elf sex isn’t going to be considered meritorious. That statement can stand in for anything else I might say on this subject.
…it should be ‘high’, purged of the gross, and fit for the more adult mind of a land long now steeped in poetry.J.R.R. Tolkien (goodreads)
Featured image: Frodo, Gollum and Sam looking over a ledge, scene from the Lord of the Rings movie trilogy. I googled the article title trying to find an appropriate image to feature for the article. DO NOT Google the article title. Just don’t do it. The blog oneroomwithaview.com has a series of articles titled Best Films Never Made that includes an article about Boorman’s attempt to make his version of Lord of the Rings. Paul McCartney was who he wanted to play Frodo. Frodo having sex with Galadriel. There’s an image you can’t unsee.