Let The World Back Into Me

This song has been haunting my dreams for a few weeks now:

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At first I thought it was a brainworm, just another catchy tune that won’t go away. Now I’m beginning to suspect that this is my subconscious trying to tell me that I need to crawl back out of my shell and see if there is still a life to be had out in the wider world. A terrifying thought.

I don’t know that I can afford to let the world back into me, but I’m beginning to suspect that I really don’t have a choice in the matter.

This one too has been haunting my dreams.

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I’m less mystified by what it means than what the first one means. I’m more than a little pissed at the people who have kept me locked in my house for three years. People who won’t do the basic minimum required of a good citizen. The basic minimum? Get your fucking vaccinations.

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Can’t Spot the Cynacism

Or sarcasm, for that matter.

I woke up with this song in my head today:

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…so I started a song radio with it on Spotify to start my morning. It wasn’t an intrusive brainworm of a song because I really wanted to hear it again, and it echoed the sentiment in some dream I was having at some point last night. Dark dreams for vertigo nights.

Song radio is Spotify’s way of creating a playlist that sounds like the song that the radio is based on. This is a technology that was started by Pandora back in the dark ages of the internet. I helped craft that algorithm to some extent because I was an early adopter of Pandora and I would still be using that software if they had the sense to grandfather their founders into the for-profit system that they are today. Instead they annoyed every single one of us with advertisements placed slap in the middle of a song unless we voluntarily started paying them money every month.

I started using other music software because of Pandora’s betrayal, and those systems whose advertising policy managed not to drive me away within the first few weeks of my testing their service out stayed in my rotation. It wasn’t until discovering Spotify and its song radio that I thought I had found a new home for my music listening soul (Still trying not to think about a million dollars going to Joe Rogan. Trying and failing) no other service could figure out how to offer me songs that fit in the vernacular of what it was I wanted to hear that day.

This was also a frequent problem with disc jockeys on radio stations, understanding why a particular song appeals to a certain section of an audience. It soon became clear that Spotify didn’t understand my attraction to this particular song this morning, either. There is a persistent cynicism across pretty much everything Donald Fagan and Steely Dan ever created. They use bright upbeat tones to masque the dark cynicism of most of their lyrics. It’s a tactic that got you airplay back in the days of human disc jockeys who only selected for audio quality and didn’t listen to the message of the song itself. Or maybe they did listen that closely and they were just cynical bastards themselves who appreciated those kinds of messages.

In either case, the song radio that was created from The Goodbye Look was populated with sickly sweet love songs, most of which have not the slightest hint of cynicism in the lyrics. It makes sense when you think about the nature of the beast that compiles these lists. Computers just know what you ask them for, they don’t understand sarcasm or cynicism. Spell checkers can’t even figure out that you mean cynicism if you misspell it. No, I didn’t mean to say Cynthia you ignorant machine.

This is why I detest voice activated assistants. They just don’t understand me at all. When I mumble my voice instructions and the AI dutifully asks me “who do you want to call?” it studiously looks for a number for Ghostbusters and offers me similar sounding alternatives to dial when I give the correct response to that question. Every human born in the last 40 years knows the answer to the question is Ghostbusters, but computers will never get that. Computers pedantically just do what you tell them every single time. They don’t understand implied meanings. Conflicting emotional undertones. They have no emotions. I wonder if that is a good thing or a bad thing?

In any case, after I weeded out the Joe Jackson and the Elvis Costello songs from the list I got down to the kinds of songs I was trying to listen to and I rediscovered Dr. John and his unusual take on popular music. Rediscovered him and added that particular song to the ever-growing list of songs I know I heard at the pool as a child. The twisted-assed nature of my emotional state has been revealed to me once again. Onward through the fog.

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Pasteboard pies and paper flowers are being banished from the stage by the growth of that power of accurate observation which is commonly called cynicism by those who have not got it…

George Bernard Shaw (h/t to amandaonwriting)

There Are No Sides in Public Health

I said this the first time to a close friend of mine that I hadn’t contacted since before the pandemic started. To be honest, I’d pretty much stopped talking to him since Trump was elected. We’d gone to see a few movies in the intervening years, but it was clear that my road and his road had diverged at some point, and he has never been willing to tolerate differing ideas. I’m not exactly the tolerating type myself. In both cases this intolerance can probably be chalked up to too much Ayn Rand and not enough social conscience.

We were having a conversation about architecture that strayed into the subject of plague avoidance and that is when he said “looks like we’re on opposite sides of the coin about covid.” There are no sides to public health. It is regrettable that Republicans have decided that there are sides.

The wife chastised me about this exchange when I related it to her later. “Don’t you want to have friends?” Sure I want to have friends. I’d like to have family too. I’d prefer they were friends and family that had a clue about public health and critical thinking, but I don’t appear to have a lot of choice these days when it comes to friends and family.

There isn’t a side when it comes to public health. This isn’t a controversial statement; or rather it shouldn’t be controversial if what you value is science and health and you want to conserve those two things. If what you value is instead capitalism and unfettered freedom, then what you will get is the kind of plague spreaders that are running rampant around us today in the third year of the COVID-19 pandemic.

Joe Rogan is the poster child for these magical-thinking, plague-spreading zombies around us all today. This bit of news trivia showed up in my inbox the other day:

Spotify said on Wednesday that it had begun removing [Neil Young]’s music from the streaming service, two days after he briefly posted a public letter calling on Spotify to choose between him and Joe Rogan, the star podcast host who has been accused of spreading misinformation about the coronavirus and vaccines.

Young’s challenge to Spotify has become a high-profile, if unexpected, flash point in the battle over misinformation and free speech online. It also raised questions about the power of performing artists to control where their work is heard.

In a statement posted to his website on Wednesday, Young called Spotify “the home of life threatening Covid misinformation.” He added: “Lies being sold for money.”

nytimes.com

I hate to break it to Neil Young, the choice was always going to be clear to Spotify. Neil Young is a great artist, but he’s not as popular as Joe Rogan. Spotify would be feeding its rivals if it were to abandon Rogan’s podcast. He’d still have the podcast available on public feeds everywhere and it would only be a matter of time before some other audio platform would snap his content up. Sure, they shouldn’t have given him a million dollars for exclusive first rights to new podcasts, and many skeptics of the plan said this at the time. That’s water under the bridge now, that million dollars is gone like our chance to stop COVID-19 from becoming endemic in the population is gone. Hindsight is always 20/20.

I’ve listened to several episodes of the Joe Rogan Experience over the years. The title of the show is itself an unwanted finger jabbed in the metaphorical eye since it is a ripoff of one of the all-time guitar legends the Jimi Hendrix experience. The content of the podcast is basically the ramblings of a drunken buffoon and whatever guest that he’s invited onto the show to get drunk and embarrass in front of his audience. Everyone laughs and the audience loves it and he has millions of subscribers, I just don’t happen to be one of them. If I want to listen to drunken ramblings, even above-par drunken ramblings, I can just get drunk with friends or family and the ramble occurs naturally.

It is a common refrain of mine when asked why I don’t get autographs from stars when I go to conventions that the signature doesn’t mean anything. Now, if I could sit down across from whoever it is and have a cup of whatever to drink while we talk, that would be an experience that I would relish. I want to have those conversations though, I don’t want to listen to Joe Rogan have those conversations. It is a pointless exercise in jealousy to listen, thinking I’m part of that conversation. It would be like watching football thinking you are part of the game. You aren’t, but feel free to think you are anyway.

Joe Rogan just wants to be an entertainer, he doesn’t want to be a source of information. I think we’ve heard that line a few times now. Joe Rogan may not want to be a source and yet he is a source of disinformation especially when he has people like Robert Malone on the show. He just wants his conversations to be interesting, following a standard media model of interviewing the people on the fringe of accepted norms. He may not know it, but he’s using an editorial algorithm that renders the result of giving the platform for the world’s largest podcast audience (millions of streams) to the people most likely to be wrong; and not just wrong, but people who are wrong and actively seeking to spread their wrong ideas to more people. (SGU #865, Neurologica)

With an estimated 11 million listeners per episode, JRE, which is hosted exclusively on Spotify, is the world’s largest podcast and has tremendous influence,” the letter reads. “Spotify has a responsibility to mitigate the spread of misinformation on its platform, though the company presently has no misinformation policy.

An Open Letter to Spotify from Health Experts

Joe Rogan’s guests are just asking questions about COVID? They don’t buy the bullshit? They think public health isn’t important? They don’t understand public health and how it keeps all of us alive day in and day out. Public health information is where you get your understanding of what kinds of foods are safe to eat, unless you are one of those brave souls picking mushrooms for yourself in the forest. Public health is how you understand to wash your hands regularly. Public health is the reason to clean sidewalks, mow parks, spay and neuter pets, etcetera, etcetera, ad infinitum. Public health is how we get access to the vaccinations that have saved countless millions of lives.

The difference with COVID-19 is that the federal government has not chosen to write laws that would mandate enforcement of public health guidelines. This problem should be rectified immediately as far as I’m concerned. Mandate the COVID vaccine. Mandate staying home if you are sick. Mandate masking up if you go out during elevated public health alert times. Put it down in law so that there isn’t room to argue about it anymore. Do it or stop pretending you are doing anything to help the current crisis we find ourselves in.

In the meantime, devoid of convictions or leviable crimes, Joe Rogan can’t justifiably be removed from Spotify’s streaming service unless Spotify itself deems it prudent to distance themselves from him. Considering the growing artist boycott, they might want to think seriously about that. The one thing that would make me stop using Spotify would be not having the music there I want to listen to. I go somewhere else for my podcasts anyway. If there was government enforcement of public health guidelines then Joe Rogan might have a problem. So long as there isn’t enforcement and he continues to entertain the masses, he’s safe in the general sense. Highly liable to die from a preventable disease, but otherwise safe, apparently.

Conspiracy Fantasies

These are arguments that were thrown at me as counters to the observation that there are no sides to public health.

  • Coronavirus was created in a lab/leaked from a lab – The lab leak theory was and is racist if the person saying it (like Trump) is a racist. SARS-CoV-2 didn’t leak out of a lab. It might have been contracted and spread by a lax technician gathering samples. It definitely was not created in a lab.
  • Masks won’t stop SARS-CoV-2Masks are effective. Some masks are more effective than others. The confusion about masks arose from public officials who didn’t want to alarm the public by saying the virus was airborne. They did more harm than good with their foot dragging. Saying masks aren’t effective is misinformation. There is no legal penalty for spreading misinformation. Yet.
  • The vaccines don’t stop COVID – The vaccines will stop the spread if everyone gets a vaccine. The vaccines have saved millions of lives. Getting all your vaccinations will save your life unless you are in the 0.01% that are adversely affected. Only medicine can inform you of this physical deficiency. Your pastor can’t do that for you. Saying that vaccines don’t stop COVID is misinformation.
  • There absolutely is more than one side. The official narrative has changed so much, it’s head-spinning to keep up with their nonsense. Sane people realize this. – That is a faulty or hasty generalization and a thinly veiled ad hominem. It isn’t an argument I can take seriously. The title remains uncontested.

Some of this was written on Facebook first. Featured AP image found here

Welcome to the Sharing Economy?

Facebook – Stonekettle

Welcome to the sharing economy, Jim. It’s too bad that starving writers never figured out how to make words pay. You could write songs and make more money. Well, if they were good songs. You could write movie scripts and make more money. If they were ever bought. But just having a way with words gets you plagiarized. It never seems to make the writer money.

What? Oh, you think that music and movies get stolen too? Well, certainly. This isn’t about theft, this is about copying someone’s words and pretending that they are your words. Piracy? Piracy is a different thing entirely.

RAnt(hony)-ings

Piracy is not the problem. In fact, pirating as the RIAA and MPAA define them isn’t even a crime or theft. Pirating requires profiting from copying, and most people simply want to see or hear a thing. Most of them don’t even keep the copies long-term; nor are they technically savvy enough to know how to keep them (I’ve worked on enough of their computers to know) the point was, there are royalty systems in place for music and movies. For the people who know how to make sure they get paid points on the back-end. There is no structure in place to see that writers are paid for writing, even on the back-end. That paperback pays the author one time even if Half Price Books sells the same copy twenty times. Something isn’t right here.

BBC Business Daily – WebpagePlayback – July 18, 2018

I link that podcast just so that this is understood, what I am voicing is more than just my uninformed opinion. People pay for Spotify, and that service pays artists directly. It is one amongst dozens of services like it. Netflix has decimated what was left of the studio system in Hollywood. That industry is in the middle of re-inventing itself, about where music was back in the Aughts. Now. Now if only we could figure out how to get decent wordsmiths paid for their efforts, that would be great. Could somebody get to work on that?

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