The Merbrat found the soundtrack I’m going to sleep to for the rest of my life.
I’ve always found the sound of the warp engines on the Enterprise-D to be quite soothing. Now there is twelve hours of it, streaming.
The Merbrat found the soundtrack I’m going to sleep to for the rest of my life.
I’ve always found the sound of the warp engines on the Enterprise-D to be quite soothing. Now there is twelve hours of it, streaming.
I’m not laughing anymore. This was on the Stonekettle Station Facebook wall today.
I’ve done a cursory look online (check out the image credit on that wikipedia page) and the symbolism does seem to be official if not actually adopted by the branch of military service that Congress funded last month. I’ll try to forgive congress the insult to American intelligence that their funding of one of the idiocracies pet ideas legitimizes.
Yes. That is potentially a theft of intellectual property in the form of a proposed device for the OHM’s Space Farce. …er Force. While you are laughing remember that, to the rest of the world, you are what they are laughing at. You the reader, not you the president. Not you Stonekettle Station. You, dear reader. All of you who count yourselves as Americans. You are a joke if this bullshit is not brought to an end.
Well okay. That was funny.
As far as who owns the rights to the IP in question, that isn’t clear.
I thought of “Mirror, Mirror” after seeing the Trump administration’s new Space Force logo, which the president tweeted out Friday with a characteristically awkward nod to our “Great Military Leaders” of the “Sixth Branch of our Magnificent Military!” (caps and punctuation his). Within minutes, the logo was lampooned widely for appearing to rip off the logo for Starfleet Command from “Star Trek.” Indeed, with the two logos placed side by side, the resemblance is so remarkable that I had to wonder whether Melania Trump was part of the design committee.
Apparently, the new logo is just another iteration on the former Air Force Space Command logo, which also featured an upward pointing delta, but the final product with its concentric rings and swooping orbits looks so much like Starfleet’s, I fear it could easily confuse any Vulcans and Klingons who see it.
This somewhat comical appropriation of “Star Trek” imagery carries a certain irony. The universe of “Star Trek” has always provided a hopeful, near-utopian vision for humanity, where we have finally learned to set aside things like racial prejudice and gender inequality, and we all work together toward a common purpose and quest. Money is a thing of the past because no one wants for any material need, and we have united much of the galaxy in a peaceful assembly of sovereign worlds.
Contrast that for a moment with the current administration’s values and practices: racial resentments and fear stoked for cynical political purposes, the wealthy made even more obscenely so through grift and political influence, coarse and bullying behavior masquerading as diplomacy, to name but a few. Even the notion of a “Space Force” seems patently absurd coming from an administration where science is mocked and disregarded.
At times it truly feels like the past three years have had us beamed into a parallel universe, where instead of a president we have a mendacious thug, and where notions like the U.S. Senate being a deliberate, serious body that serves as a vital check on presidential power now seem quaint and naive.George Takei
If, however, the government took orders from the OHM, and the OHM’s intent was to mimic the Starfleet insignia (being an idiot of very little brain, but then I repeat myself) then the logo for Space Force as it is presented by the OHM probably constitutes theft of intellectual property. Proving the theft, proving the OHM’s intentions, then becomes the next hurdle to clear.
The Starfleet insignia as we know it today didn’t exist until the motionless picture (my second favorite Star Trek film) back in 1979. This was long after Gene riffed on the theme of the gold pins that NASA gave to astronauts on going to space to create the various ships insignias seen in the original Star Trek series (1967-69) None of those pins have an upward delta device with a star, also pointing upward, in the center of them. That insignia was just for the Enterprise crew, and the star inside the stylized delta represented command crew. A real fan will know what the two other symbols inside the delta were, and what they represented. The Air Force Space Command insignia does have a delta pointing upward, and that has been acknowledged to be a Star Trek reference. There is your bit of trivia for today.
Stonekettle Station has a tricorder. Well, almost a tricorder. If the device captured all measurable energy in the recording field and not just the visible light, they’d have a tricorder. The future is now.
On May 10, 2011, the X Prize Foundation partnered with Qualcomm Incorporated to announce the Tricorder X Prize, a $10 million incentive to develop a mobile device that can diagnose patients as well as or better than a panel of board-certified physicians. On Jan 12, 2012, the contest was officially opened at the 2012 Consumer Electronics Show in Las Vegas. Early entrants to the competition include two Silicon Valley startups, Scanadu and Senstore, which began work on the medical tricorder in early 2011.Wikipedia, the free encyclopedia
…He might have first run across René Auberjonois in Star Trek: Deep Space Nine. I will always think of him in his role from the series Benson, the only spin-off from one of my favorite TV shows, SOAP, and the only other character aside from the title character from SOAP that was really memorable. I had forgotten that he played Father Mulcahy in the movie version of M*A*S*H. I’ll miss him and the others from Trekdom who have left us over the last few weeks. It has been a rough year.
How did I not know that Ethan Phillips was also in Benson?
This discussion started in the Babylon 5 fan group. There is a rule in the group that disallows all politics and religion that isn’t part of the show from being discussed in the group. If a post strays too far into the real world, the moderators will delete it. I know why moderators do this, but I don’t honestly care. It is unrealistic to expect human beings to be able to separate their beliefs from the entertainment that they enjoy. Especially a show like Babylon 5 or Star Trek, shows that are always tweaking politics and religion in the course of their storytelling. Discuss any episode of the show without straying into weighty matters of philosophy or politics. Go ahead and try.
The long and the short of why I started the article this way is, I have no idea how long the writing I’ve done on the subject will exist within the Facebook group. It just takes one religious zealot, one antitheist, and the thread goes poof. Can you blame me that I want to export the writing so as preserve it?
This image is from the Babylon 5 episode Believers. Here is a link to a synopsis of the episode in case you haven’t seen it or if you don’t want to spend an hour watching the show right now. Also, you should stop reading now if you don’t want any spoilers before you watch the episode, because this article will be full of them.
Still with me? Okay then, here we go. Don’t say I didn’t warn you.
The OP included this statement with the image, “I still remember how outraged I was when I saw it the first time.” A sentiment that I wholeheartedly endorse. When the episode aired back in 1994 I was furious when the credits rolled. As a young parent myself, I couldn’t imagine how any parent could be so blind as to do what they did in the final scenes. The story revolves around a sick child,
Shon, a young alien boy, has developed a “congested blockage in his upper air passages.” When Dr. Franklin explains to Shon’s parents that Shon’s condition can be cured by a fairly routine surgical procedure, the parents seem bewildered. “You will cut him open?” they ask, and explain that the “Chosen of God” cannot be “punctured” — for their souls will escape.
The main conflict of the episode, above, is introduced in the teaser opening. The show starts this way for a reason, and develops the way it does specifically in service to the moral quandary of the problem. “Oh, but his soul!” say his parents. The soul is unmeasurable, unidentifiable. The soul, for the purposes of this episode, is non-existent. The McGuffin, in scriptwriting terms.
There are other episodes of the show where the soul is treated as a physical or at least detectable energy presence. The episode Soul Hunter, eight episodes before this one in the first series, springs immediately to mind as an example of this. So the problem isn’t that there are no souls in the show, or that the writer, David Gerrold, didn’t flesh out the story well enough. It is simply necessary in this episode that the presence of the soul cannot be detected because if it could be verified as being present after the surgery, then there is no moral quandary. There is no story to tell.
When I ran across the thread discussing the episode it already had over 100 comments. However, in reading through the comments I found a near absence of understanding of the purposeful moral dilemma presented by the story. Comments like this one,
Sorry, but I call BS on that one. “Unmeasurable, unidentifiable; AKA, non-existent.” Is nothing more than an argument to silence. For the vast majority of human history things like cells, atoms, and gravity were “Unmeasurable, unidentifiable;” so they were “AKA, non-existent”, right? Just because it is not (yet) measurable does not mean it does not exist.
As I have mentioned a number of times about this episode, the reasons for this particular belief were not addressed. That’s either a failure of Franklin or David Gerrold.
His willingness to blame the writer and actor simply reveals his beliefs on this particular subject. His rejection of the argument is far more revealing of his moral rigidity and lack of understanding of the mechanics of storytelling than it is a truthful observation about the episode and the moral quandary that it contains.
Like the trolley problem, there is no right answer to this problem. In the trolley problem you are asked to choose between taking one life or five under varying circumstances. When the problem is framed one way, you predominantly get an answer that underscores utilitarian ethics; i.e. most people will choose to sacrifice one life to save five. However, when the problem is framed another way, usually requiring the person making the decision to take an active physical role in the decision by pushing a person onto the tracks to stop the trolley, as one example, most people will chose to allow the five people to die.
The problem here, narrowly defined, is medical intervention vs. natural selection. The doctor is required to help his patients. He makes a reference to this fact when he alludes to taking a medical oath to do no harm. The good doctor saw his moral obligation as at least attempting to save the child’s life. The child will end up dead no matter what the doctor does. Of course, neither he nor the audience knows this until the reveal at the end.
The parents knew their child was dying. They expected to find him dead when they were summoned back to the medical lab. When he was instead alive and well, they knew that the doctor had violated their beliefs and saved the child against their wishes. So they acted on their beliefs and did what they thought should have been allowed to happen in the first place.
If the soul is measurable, produce a measurement. If it is definable, define it in a way that can be demonstrated empirically. In this specific episode of Babylon 5 there was no measurement, no definition. In the world that we exist in, believers have been trying to prove the existence of the soul for hundreds of years. They have yet to demonstrate a single method for determining the properties of a soul, and yet few humans will step forward and say they have no soul. Why is this? The soul cannot be shown to be real by any measurement that we humans can attempt, and yet we all still believe that we all have a soul. That it is important we not deny the existence of our own souls.
The doctor is certain that the parents will see reason. He is certain about what his moral path is. The parents are certain that their child should be dead. They are certain of their moral path. The conflict is unresolvable, on purpose. You are supposed to question “what is the moral course?”
Delinn asks the only important question “Whose beliefs are the correct ones?” when she refuses to help the parents stop the operation. Whose beliefs are correct, and how do you demonstrate the correctness of your beliefs? What would have happened if the parents had accepted that their child was healthy but unchanged? If they had taken him home to their planet, would the rest of their people have recognized him as a demon on sight? Or would they have blithely accepted that medicine had saved the boy without loosing his soul? They wouldn’t know that he had been cut unless they could sense the change in his body like a soul hunter would in that other episode.
The boy’s parents did know, because they said goodbye to him minutes before he would have died only to return and find him alive and well. But if they could have accepted him, would anyone else have noticed? This was the lesson I learned from the episode and I’ve carried it with me ever since. You cannot save a child from their parents without removing the child from the parents. The separation has to be physical, and the child has to accept that this is the right thing to do. Without that action, without the agreement of the person you are trying to help, you will simply deliver the lamb to the slaughterer at another time and place, and you might as well have not bothered to make the attempt in the first place.
Act or not act, the outcome is the same in this story. The only question is, what was the moral thing to do? I still side with Dr. Franklin. You, however, are free to disagree.
The avalanche has already started; It is too late for the pebbles to vote.Ambassador Kosh
I was aghast to discover that I had missed a Philip K. Dick novel the other day. I had shared an image on Facebook that discussed the dangers of pissing off a redhead (or ginger. This image.) something I do every day with the Wife, especially when I point out that her temper proves she is a ginger. That woman can punch hard when she thinks she’s being insulted. However, I’ve seen the carpet a few times in our thirty years of marriage. She’s a ginger. The sun lightens the hair on her head, as it does for most strawberry blondes. But the long-running argument between Red and I wasn’t the subject I wanted to discuss here. Missing from the image was one of my favorite examples of redheads that you really don’t want to piss off, and that is the potentially causality destroying character from the movie Prince of Darkness.
Hell hath no fury like a woman scornedThe Mourning Bride, by William Congreve
…and she was pretty pissed at the end of that film. With good reason. So anyway, another friend and fan of the ginger set said that the clip reminded him of the novel Ubik by Philip K. Dick. Having never read the book I felt I had to remedy my lack of knowledge and went directly to Amazon.com to see if the book was available on Audible. Then I could read the book and find out what it was that he thought was similar between the book and the movie.
Ever since I started getting vertigo I’ve had a problem with the repetitive back and forth motion of the eyes while reading making me tired and dizzy and potentially bringing on vertigo, So I get books on audio now. I listen to so many books that it pays off to have an Audible account. Aside from having a regular supply of books to have read to me, if I feel like I want to access the text of the book I can get whispersync from Amazon to synchronize between the audiobook and the Kindle book, and that makes the experience a win-win for me no matter how I want to learn something new.
This was one of those instances where I was tempted to get both the Kindle book and the audiobook, especially since the page on Amazon offered me the Kindle book for $3.62 as shown in the header image for this article. Less than four bucks more and I could have the book to read for myself if I felt like reading it! So I bought the book and downloaded both versions to my phone. Then I noticed something odd. The Kindle book was not in English, it was in Romansh. I don’t even know what region of the world Romansh is spoken in, much less speak it myself.
Well, that’s weird. The Ubik page on Amazon’s website is written in English and it doesn’t say anything about the other versions of the book that are listed as being in other languages. Feel free to click the link under the image and see for yourself. There is no way to find the English Kindle book short of looking specifically for the book as a Kindle book and that book is not $3.62 it’s $9.99 (free with kindleunlimited! Another fucking subscription service. Just what I need.) more than twice the price of the Kindle book I was first offered. I know what this is, even though I’ve not seen it too many times before. This is false advertising, and I’ve been taken in by it.
So I started the refund on the Kindle book in a language I can’t read and opened a chat dialog with someone at Amazon so that I could resolve the problem of being sold something that I didn’t want. What I wanted was the book in English, the language the book was originally written in, and I wanted it at the advertised price on the Ubik page on Amazon. I mean, it takes less work to port over the exact type script of the original work than it does to pay someone to translate the book into another language, edit, copyedit, format, etc. the new manuscript into another language. Why was the Kindle book twice the price?
Well, I know why the Kindle book was twice the price, as does every person who deals with the frustration of getting any book in this day and age. Amazon and Apple and just about every other digital book publisher rigs the prices of books through contractual obligations at artificially high prices where they can get away with them, and then offers bargain prices where they cannot gouge the unsuspecting customer. And after an hour or so of arguing with the representative in the Amazon chat service, they conceded I had a legitimate complaint but that they were not contractually able to offer the digital books at the same prices that they offer them at in other countries and for other languages. However, I could get a credit for the difference in price between the two books, and that was the best that they could do for me. So I took the only route available to me and accepted the credit offer. Not that it really made me happy.
Today on Facebook I was offered a memory I may have missed from June 11th, 2018. Hey, it’s been a year and four days since the Amazon/Ubik conundrum. I’ve listened to/read the book now. More than once. I know why the dream sequence reminded my friend of that book. The one unresolved conundrum here is that the webpage for Ubik on Amazon still takes you to the Romansh Kindle version even when you type “Ubik” in a fresh instance on the Amazon store. Even though I returned that book and bought the English version for a final price of $3.62 when the store credit was applied. Even though I helpfully reiterated the potential legal liability that Amazon was opening itself up to by putting a price and no stated language waiver on the combined Ubik page that you land on when you type in Ubik on their home screen.
One whole year later, still not fixed. I saved the chat session logs. I saved the page images. It’s a simple thing to reassemble the entire conundrum, so I figured I’d do that. I mean, I’ve given them a year to fix their programming and they still haven’t done it. I wonder how many Kindle books there are out there that are offered at a lower price in a language other than English, versions that are offered on landing pages when you go looking for a book by its title? Books that are not the books that the shopper is looking for, even though they are tempted to buy the books for the lower price stated, later to have to go through the exact same process I have had to go through? There’s a class action lawsuit in there somewhere for the savvy lawyer to take advantage of. Just send my children the finders fee twenty years from now when the lawsuit settles, would you?
“To clarify, most of the ‘not on service’ shows are available for purchase on Amazon, but are not included with a Prime Video membership,” the analysts wrote. “So, consumers are confusing the streaming service for the Amazon video store.”
Even worse, the firm suggests that “it may be Amazon’s strategy to use Prime Video as a barker channel to upsell consumers to rent or buy the titles they want to see.”
InIn other words, the interface could very well be intentionally set up to prey upon your impulses at exactly the moment when you are most vulnerable. Let’s face it—how else are you going to save this pitiful Saturday night?Fast Company – Amazon Prime Video is confusing its customers with bait-and-switch tactics, survey shows
So we’ve discovered the genesis of IOI then? Well, that’s good news.
What’s IOI? Innovative Online Industries. You know, the corporation from Ready Player One. If you haven’t read it, get the Audible version read by Wil Wheaton. It’s excellent. Don’t watch the movie of the same name; or more exactly, don’t watch the movie of the same name and expect to see the story from the book. The movie contains an entirely different narrative, with different characters and different FX sequences. The plot for the book would have been far less exciting on screen, and would have made for a much longer film. As far as video stimulation goes, the movie has excellent FX sequences, they just aren’t plot points that occur in the book. At all.
How do I know that Amazon is the corporation from Ready Player One? Well, for one thing, that cage looks like something that IOI would think was OK for workers to spend the majority of their lives in. For another, the links to the book and the movie both go to Amazon. I could point other places, but they’ll all be owned by Amazon eventually.
The Wife and I watched the film a few weeks back. I had never read the book at the time, she had read the book. We set the viewing up on purpose as a test to see who enjoyed the movie more. I’m pretty sure I won that contest. I had nothing to compare it to and so had no expectations for it to fulfill. She spent the first thirty minutes of the movie just trying to figure out where in the book the scriptwriter started the narrative at, because it certainly wasn’t anywhere in the first half of the book in spite of the fact that the first scenes have him living in the stacks, which is only in the first part of the book.
Having watched the movie I then fell asleep to Wil Wheaton’s voice in my ear for the next week or so, describing the world of Ready Player One. A world that is either a post-apocalyptic hellscape or a capitalist paradise depending on your point of view going into the book. In any case, as usual, the Hollywood version has cardboard cutouts for villains and the novel has pretty well-fleshed characters that you can believe exist somewhere. Neither tale is free of flaws, but both have their own moments of entertainment value.
Just understand that, when I envision the giant robot battle for capitalist dominance of the globe, I will now picture Jeff Bezos inside the Mechagodzilla.
The latest whiz-bang idea from Donald Trump is this idiocy he calls the Space Force. Even his Vice President, a strangely quiet man lost in the shadow of Trump’s vast vanity, has gotten in on the deal. Yesterday he was promoting the idea publicly. Today on the Texas Standard I hear that Maddog Mattis is gungho to get right on this stupid idea and make it a reality. That’s weird, because I thought even Maddog was against it. When a guy nicknamed Maddog doesn’t want to do your idea, you should know it’s probably even crazier and dumber than you might have thought.
Let me spell out just how dumb this idea is, from the perspective of decades of Science Fiction reading. The Earth sits at the bottom of a pretty deep gravity well. It’s face would be more visibly pockmarked than it is were it not for the wind and water action on the surface, not to mention the verdant tree growth, masquing the damage inflicted on the Earth from simple rocks that it has encountered in it’s annual journey around the sun. There are tons of rocks out there in space. Tons of them. Asteroids that could extinguish all life on this planet, in an instant. If we want to destroy any spot on the globe, that potential is out there right now. It is just waiting for anyone, anyone, to go out there, strap a rocket motor to the thing, push it this way or that and hey, presto! you’ve vaporized the target of your choice on the surface of the earth, and probably several hundred square kilometers around it.
The stupidity of believing we could continue our warlike ways into space was spelled out quite well in Robert A. Heinlein’s libertarian exploration novel, The Moon is a Harsh Mistress. In that book we accompany the main character as he plots revolution against the Earth that sent him to a penal colony on the Moon. In order to avoid any major spoilers, I will simply observe that lobbing rocks at the Earth figures heavily in the plot of that novel. A Space Force is akin to the stupidity of placing the exiles from the Earth at the top of the Earth’s gravity well and daring them to get back at us. I expect a lunar penal colony will be the next great idea that Trumpists will come up with, that’s how dumb the idea of a Space Force is. The world of Starship Troopers is waiting for us down that route through time, and I don’t recommend that future, either.
What life on this planet needs to understand is that we are at war with the rest of the universe, because the universe wants to kill us. Everywhere outside of the blanket of atmosphere that covers the Earth, death awaits. Gasping, freezing, boiling, death. We don’t need a Space Force because we don’t need to militarize space. Everything about going to space is a weapon. The rocket engines are weapons, the ships are weapons, that lug nut you forgot to tighten properly is a weapon after it comes loose, hurtling through space at thousands of miles an hour just waiting to intersect some habitat somewhere and destroy it. We cannot be at war with other people in space, because killing each other is far, far too easy to do out there. A moment of carelessness and everyone dies. Not exactly the place for the murderous or the stupid. Our only hope for the future is demilitarization, and it’s a pretty faint hope at that.
The demilitarization of space is the opposite of a Space Force. This is all aside from the fact that a Space Force is probably just another boondoggle like Reagan’s Star Wars. A boondoggle that will go nowhere and cost billions. It’s a stupid idea endorsed by stupid people. Or as Stonekettle Station put it, the money goes in the black hole and never comes out.
Splitting this so-called space force off from the Air Force (and presumably pulling the space-related components out of the other services as well), what does that give us that we don’t have now — and not just give us, but give us to such a degree that it justifies the cost and significantly increased complexity? What are the distinct requirements, the technology, skillsets, logistics, communications, training, facilities, targets, strategies, tactics, objectives, and missions that will define this space force? And how are those distinctly different from the current Air Force, distinct enough to warrant an entirely separate service with its enormous associated cost?
Why both an Air Force and a Space Force, instead of a single Aerospace Force?
Like everything else with Trump: what are the details?Stonekettle Station on Facebook
Apparently I was being too subtle in the article above. Let me be more blunt. If you think that militarizing space is a good idea, if you think that Donald Trump isn’t proposing this project just to the line the pockets of his donors, then you are a member of group I refer to as stupid people. You are the kind of person that watches Iron Sky and masturbates to the images of swastikas on the screen.
Just FYI, if you watch Iron Sky and find you can’t laugh at it, then you have no sense of humor. You take yourself too seriously. You take your country too seriously (if you are an American) It is a European film made specifically to poke fun at Americans. Watch it again and again until you find the humor in it. That is my suggestion to anyone who finds they can’t laugh at themselves. If you undertake this effort maybe, just maybe, you will cease to be a member of the group I labeled stupid people.
We can’t realistically militarize space. Believing otherwise is to fall for storytelling tropes. If we don’t get past this self-hatred, we are done for as a species.
Featured image screencapped from empireonline.com. De-Orangification completed here.
We lost Bill Paxton (1955-2017) It is quite a blow to me as a film buff. I remember pretty much every movie he’s been in, and his characters in each film. What I found surprising going through my traditional (morbid?) ritual of watching something that featured the recently deceased, I couldn’t find anything that I wanted to watch that he starred in as a leading man.
Everyone remembers Twister, obviously. I probably remember it a little differently than most people do. I grew up in tornado country. As good as the rest of the film is, I can never get past the final sequence of the two lead actors running uphill to lash themselves to a pipe in a wooden shed, with horses calmly ignoring the digital storm they couldn’t see roiling all around them. This poorly thought out and executed sequence pulls me right out of the film and worst of all, ruins the whole thing for me. The rest of Twister deserves the kind of tribute that the storm chasers gave him upon learning of his death. I hadn’t known it was such an inspiration to young kids of the time, motivating them to go into the field of meteorology and storm chasing in particular. Any film that inspires young people to do something good with their lives has to get a passing grade no matter what its other failings might be.
Similarly I wanted to like the film A Simple Plan but was put off by the fact that it was sold to us as a comedy in the trailers and promotional material, but was so definately not a comedy in viewing. It is a tragedy and a drama and worth watching. No matter how good it is it’s not going to be remembered in a kind light when The Wife wants a comedy and she’s mad and crying. That doesn’t bode well for the film ever being rewatched in this household.
We settled on Apollo 13 and Tombstone for our tribute to him, two excellent films in which he plays positive if lightly comedic supporting characters, which was actually what Bill Paxton was the best at.
This shouldn’t be seen as a slam or a put-down. The leading actor or actress in a film or play is only as good as their supporting actors allow them to be, and he was a consummate artist at playing the comedic foil or the well-intentioned loudmouth. My favorite film features him in a role he was essentially made for as an actor, the role of PFC. William L. Hudson in Aliens. It was just one more in a series of great supporting roles that enabled the top billed names to shine through his artistry off-screen as well as on it, but the stars were right in that film.
My favorite director combined with my favorite actor and actress of the time, with hands down one of the best supporting casts ever assembled. Case in point. I stumbled across this interview in my teary-eyed path down memory lane, and marveled at how these two work the interview together.
My favorite actress and one of my favorite supporting men, just naturally continuing the leading lady / supporting actor relationship established in the film; him laying up subjects for her to embroider as a leading lady should. Just a gentleman and the support that he should be, happy to be part of the interview.
I’ll have to sit down and watch his directorial efforts Frailty and The Greatest Game Ever Played just to confirm for myself that they are as good as my friends have said they are, but he will always be Hudson to me. I hope he doesn’t mind if I remember him that way.
It’s shocking and sad that American film and television creators won’t be able to rely on Paxton’s rough-hewn decency, his game sense of humor, and his canny ability to steal a scene. Paxton was dependably watchable in projects that weren’t as good as he was, and great in roles that gave his characters the scope and depth to display their irreverent and essential humanity.Variety –Remembering Bill Paxton, Hollywood’s Scene-Stealing Everyman
As a people, we don’t believe in America. We stopped believing in America sometime after WWII. Maybe it was some time during the McCarthy hearings. Maybe it was the assassination of JFK. Maybe it was the sixties and the Vietnam war. Maybe it was Nixon and Watergate. And maybe it’s been the sea change in our culture. Maybe the democrats failed to understand the smoldering resentment of the red-state voters. But probably it was all of these things.David Gerrold
America became someplace else after WWII. Before WWI, before the crash in ’29; before all of that, the US was mostly farms and industrial manufacturing focused on delivering products to Americans who needed them. After WWII we became aware of our power. More importantly, our leaders became aware of it and used it to throw our weight around the globe, influencing other nations to enter our circle of friends, the people who would get rich off of our prosperity with us.
Today we consume most of the production that the world generates, while paying little to nothing for it aside from letters of credit to foreign powers who then use that wealth to buy up parts of the US.
Demanding what we want at the point of a gun, as we have done since the 80’s, is getting old now. The rest of the world is beginning not to care what we whiney Americans want, and they aren’t going to keep buying our debt in exchange for their blood and treasure if we don’t let them own us in return.
The system which worked following WWII has come to it’s functional end. It is time for a new system to be born, and I don’t think the world is ready to take on that herculean task. I don’t think we can afford to wait, either.
This change since WWII, this focus on the Military Industrial Complex and it’s servants in Washington D.C. are why Philip K. Dick’s stories have played so well in the last few decades. There is a madness there in his stories, a madness that the man himself suffered from profoundly. That madness is echoed in the world around us, the disconnection between what is real and what we want to be real.
It is almost as if we didn’t win WWII. It is almost as if we… lost?
That is the story behind Phillip K. Dick’s novel The Man in the High Castle (the second season of which Amazon will shortly bring to video. –ed.) Here is the first season trailer:
The second season trailer:
I wrote the above as a teaser to get people to watch Amazon’s new series, the title of which should be obvious by now after the two trailers I posted. The first two seasons were interesting, even if they departed from the text to many reader’s dismay. Here is the third season trailer:
…and the fourth and final season trailer:
I really don’t want to do a review of the series here. It stands on its own two feet with or without my help, as the case may be. It was flawed, true. Marred by the loss of cast members and the limits of filming the events of months over the course of years. I think the story in the series is even more interesting than the equally flawed novel that the story comes from. Dick’s madness can be a bit offputting at times, and unavoidable in his writing. It is a thing mercifully missing from the series.
The story concept is itself challenging enough to tell with video. Parallel worlds existing that you can travel to and from? How do you tell that story and not loose the audience? You are never certain in the book that the other worlds exist at all. They are alluded to. Hinted at. The world where the United States wins in The Grasshopper Lies Heavy, Hawthorne Abendsen’s novel of the alternate world, isn’t even the world we existed in after World War Two. There is just the grinding misery of the Nazi boot, the Imperial Japanese boot, and the realpolitik that the two now-opposing forces engage in over control of the whole world. The ending of the series is much more gratifying than the ending of the book, even if it appears to puzzle a good number of people.